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Beatles Rarity Of The Week – Run For Your Life (take 5)

Posted by on March 14, 2011 at 7:00 am.

Welcome to the Beatles Rarity of the Week. It became more or less expected for The Beatles to put out two albums per year as they had in 1963 and 1964. But when October 1965 rolled around, the band was yet to make it into the studio to record a follow up to their first album of the year, Help! Between their extremely hectic schedule and all of the touring, there simply had not been time. Not wanting to disappoint, John and Paul quickly wrote more than a dozen new songs, and today’s BROW was the first one worked on when The Beatles reconvened at Abbey Road to record the Rubber Soul album on October 12th. The plan was to have it out to the shops by early December.

Run For Your Life was written primarily by John and he borrowed the line I’d rather see you dead, little girl, than to be with another man from the Elvis Presley song Baby Let’s Play House. Five takes were recorded on October 12th and the master was created from take 5. Presented for BROW this week is the raw recording of take 5, prior to mixing. To my ears it seems to play at a slightly faster tempo and I’m therefore wondering if the master was slowed down a little during the mixing stage. At this point it is also missing some vocal overdubs, to include John’s na-na-na’s heard during the fade out on the finalized version. In the discussion prior to the take, John refers to the acoustic guitar he plays on the track as his ‘jumbo Gibson’ and asks that it be recorded “heavy” so that when more tracks are added, the rhythm guitar isn’t lost in the mix. This was the beginning of a long series of sessions to complete the record which ended up in final production by November 15th and in the shops by Friday December 3rd (the following Monday in the US), as planned.

An interesting aside: In 1973, John said in an interview that Run For Your Life was his least favorite Beatles song, while it was George’s favorite track on Rubber Soul.

Another interesting aside: In the early 1990s, the song was banned by Ottawa radio station CFRA for its allegedly misogynistic message. When the radio station was asked if it had also banned Elvis’s Baby, Let’s Play House, the program director confessed to not being familiar with that song. Upon listening to it, he banned it as well.

The song has been covered by Nancy Sinatra, Johnny Rivers, Gary Lewis & The Playboys, Robert Gordon and a British girl group known as Thee Headcoatees.

The Beatles - Run For Your Life
John Lennon at Rubber Soul sessions, Oct. 1965

John Lennon at Rubber Soul sessions, Oct. 1965

Want to make a suggestion for a future Beatles Rarity of the Week? If so, I will do my best to deliver, so let me hear from you. To browse for ideas, check out this search-able listing of thousands of Beatle-related recordings to choose from. Then let me hear from you here.

Here are some Amazon links to read more on, or purchase, some music related to this post:

1) Rubber Soul (Remastered)
– 2009 remastered CD contains stereo mix of Run For Your Life

2) More Amazon links for any of your favorite Beatles-related music: The Beatles, John Lennon, Paul McCartney, George Harrison and Ringo Starr.

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Want to make a suggestion for a future Beatles Rarity of the Week? If so, I will do my best to deliver, so let me hear from you. To browse for ideas, check out this search-able listing of 9,192 Beatle-related recordings to choose from. Then let me hear from you here.
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This is one of my favorite Beatles tracks! Thank you so much for putting up the entire Take 5! I haven't been able to to find it in its entirety until now. Is there any chance you can send me an mp3 of this? Or is there a way I could download it? My band, The Oakenblues, does a cover of this song that will be released soon (it's currently being mixed). My e-mail is mmontelione@gmail.com. Thank you!

Sincerely,
Matt

PS - Did anybody else notice how John slightly changed up the deliverance of the "ma-an" in the chorus from the scratch vocal to what's heard on the record? It's sung with less punch and I think the first starting note is slightly different.

Sorry Matt, but rather than leave you hanging, I'll paste in this note from the top of my "About This Site" page (the entire page is accessible via the nav bar up top):

Disclaimer: Please note that it is not the intent of this site to trade, share or otherwise offer any of the audio or video content that is featured. In fact, downloading of these files has been disabled. The sharing of music on this site is merely for the appreciation of the historical phenomenon of The Beatles and their performances, and is to be limited to listening and/or viewing only while visiting the site. Please do not contact TheBeatlesRarity.com to ask for any personal copies of sound or video files or to buy or trade any unauthorized media. Additionally, please note that this is a personal web site in no way affiliated with The Beatles or any of their former members or any business interests that they may be associated with.

That's cool. Did you ever notice that difference from scratch to final?

Yep, definitely a different intonation on "ma-an" in the chorus.

Not one of my favorite Beatle songs

I went a long time considering it a low point on Rubber Soul, but recently I have come to like it more. I guess tastes change over time.

Loved the early take,and, as usual, a great BROW. BTW,(as if anybody cares) the uploaded take played slightly slower than my 2009 stereo CD version. I kinda liked it at the slower tempo!

Because of the speed being a bit too fast on the source tape I have slowed it down a bit, but I was going by ear when I did it so it's likely not perfect. There were some comments here earlier that I chose to delete (sorry Stacia and Alan) because there was a bit of confusion about too slow? and/or too fast? This was partly my fault since the first time I uploaded it there was a problem with the file itself. So now, if you've listened before and want to clear your cache and try it again, you'll hopefully think it's a little bit closer to the right speed. Hopefully, anyway, and honestly I'm hoping there isn't a large thread to follow all about nothing but the speed because I'm done messing with it at this point! Grrr!

I love this raw work! The pace is more thoughtful, and gives a more serious mood than on the LP, as does the lack of octave jump in the word "enD" .

I think sometimes it can add to the appreciation of the finished piece hearing some of what led up to it. Then again, there are times when it can have the opposite effect. I guess I'm covered either way though with the tag line (topping each page) "Bringing you the best AND WORST of The Beatles." I meant that as sort of a joke, but it can hold some truth at times.