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Beatles Rarity Of The Week – Laugh

Posted by on November 30, 2007 at 10:09 pm.

This one ought to be good for a chuckle. First the background information:

Back in 1969 as The Beatles were falling apart, John came up with his Plastic Ono Band concept. The basic idea was that the Plastic Ono Band was defined as whomever he (or Yoko Ono) happened to be playing with at the time. It could be a bunch of people in a Canadian hotel room (“Give Peace A Chance”, June 1969) or Eric Clapton and Klaus Voormann (Live Peace in Toronto album, Dec. 1969).

This weeks BROW is a recording that was originally over 30 minutes long and was cut down to around 4 minutes with plans to be released as the third Plastic Ono single in December 1969. For variation it was to be accredited to The Plastic Ono People who actually consisted of John with Mal Evans, Anthony Fawcett, Geoff Emerick, Phil McDonald, Malcolm Davies, Eddie Klein and others. The release was scrapped later when John decided to record and release “Instant Karma! (We All Shine On)” instead, the following month.

My apologies for the little bit of vinyl crackle you’ll hear in this but it’s in my only surviving source recording. So listen and enjoy. You might even want to join in.

Plastic Ono People - Laugh
John Lennon and Yoko Ono, 1969

John Lennon and Yoko Ono, 1969

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That's strange. Wasn't John the one to employ Phil Spector for the "Let It Be" album. That album is at the opposite end of the "get back to basics" approach with all the strings and choirs. Regardless if John had formed the "Plastic Ono Band" or not The Beatles partnership would have dissolved.

Yes he was! And I agree, The Beatles were well on their way out at this point. I think as far as the let It Be album goes, John and the others just wanted to get that project behind them as quick as possible, and John thought Phil would be able to do just that.

For better or worse, a good point indeed.

I read somewhere (a long time ago) that The Plastic Ono Band was to be, among other things, a vehicle to undermine & deflate The Beatles. John was getting sick of the studio trickery increasingly employed by the Fabs & he wanted to GET BACK to basics.
....This single would have gone a long ways toward achieving those goals.